The fear of the dark has gripped our culture for as long as there have been lights on earth. From scary Halloween Horror to fabled ghost stories (which we all know are real), the fear of the dark has been a part of human history. From ancient civilizations to modern day moviegoers, people have dreaded going into the dark for many reasons. In fact, for most people, it’s about having to go through with doing so even though it’s a little creepy at times. The world is still exploring how much light we can handle and what levels of darkness will be comfortable for us. But one thing is for sure: even in our darkest hours, there’s always something to love about the dark! Here are 5 things you never thought you’d ever hear about in an epic schiller adaptation:
The fear of the dark is alive and well in Hollywood
While we may not all say we’re in love with the dark, there are definitely scenes in films that we will never forget. Some will see us as forevermore “scary”, while others will remain as ambiguity as to the nature of the threat. While most of us will likely never see the light of day from a Hollywood script, there are a few that are well-known for their dark side. Unfortunately for us movie goers, this kind of creepiness has been around for a long time and is still very much alive and well in Hollywood. In fact, the Disney classic The Wonderful World of Disney is one of the all-time classic ghost stories and will be re-visited as part of the standard history of cryptid superstition. It’s not just old-fashioned Disney, it’s also in the public consciousness as a classic tale of the supernatural.
Why Schiller’s “Requiem for an Era” is the scariest movie you’ll ever see
The great classic and modern-day Schiller adaptation, “Requiem for an Era”, is widely regarded as one of the scariest movies ever made. Written and directed by Willi Muling, the film stars playing a man who wakes up with the ability to see and control time. While the ability is only fully comprehended when the person is in their 80s, the film’s unsettling twist is its most chilling aspect. The man’s time travel is almost immediately rooted in reality, as time has already begun for him. It’s then that he discovers a world in which human babies are not only being killed, but that reality is being rearranged by an unknown power. To make matters worse, the world is filled with an ever-increasing number of other identical, “brutes” who are terrorizing the population.
Schiller is a master of understatement
When it comes to the darkness of the world, few films jmdhindi can match “The Hills of Czernobrzeg”. The chilling 1953 silent masterpiece follows a young man who ventures to Europe after the Second World War. There, he witnesses the fall of communism and the rise of totalitarianism. While he was in school, Schiller also directed a number of films, including the classic The Little Mermaid and The Little Mermaid 2: With a Head Surgeon, and the gut-wrenching The Night pcik. During his time as a student, Schiller worked as a reporter for the New York Times, and he could often be seen in the pages of their culture-shattering headlines. These dark days of reporting in film are still very much here as we see news stories about current events in black and white and color, with all the potential for danger.
What makes a perfect Schiller adaptation?
There are many qualities that make a perfect Schiller adaptation; however, we can seemingly master the most basic of them, by far. The “thing” that makes a perfect Schiller adaptation is the setting. While there are many great examples of countries and cultures around which Schiller could have Adapted, the most common setting is the nightlife-lined New York City. Many of his most famous films rely on the darkness of night, and this is one of the most memorable aspects of the city for many. In “The Exorcist”, the movie opens with a series of images that are all about Satan and his minions. This is classic Schiller and sets the stage for the rest of the film with a chilling sense of horror. Other setting criteria include the historical setting, the cultural aspect, and the social interaction among the characters.
Why you need to see Schiller before The Exorcist
We spend our whole lives trying to forget the nightmarings that happen during the dark, when we least expect them. But while most people rush to the nearest lighted venue to see a lights-on-fire film, we are often too afraid to take the risk of being seen in our own reflected light. There are many reasons why you should see Schiller before The Exorcist. Among the most important being that a) you have fond memories of it and b) you want to see the film to close out the Andre the Giant series.
Conclusion
The world is a much more interesting place when it is full of lights. The darkness of the dark is something that we all associate with the unknown, but in the light, it’s experienced as love at first sight. When it comes to the dark, there is always something to love about it. Whether you prefer to see the darkness in heroic stories or in the wilder parts of our nature, we can all relate to the feeling of being drawn into the darkness, even in our sleep.
